The scale works much better! And the shots look good!
Let's look at them individually:
shot1:
- the indifferent guy is good, nice pose, it's all very clear. Animation wise I would do another pass on the eyes, they seem to move independently. For instance around x77, the screen right eye goes to the right and the screen left one goes to the left. The area after x95 is also a bit funky. Make sure that they move together.
When he looks to the right after x60 I think you could have his headturn be more active. It's a bit too subtle, you could push it a bit more.
- the driver has some eye issues as well. Watch after x48, they get a bit too active. When you have eye darts going left and right and left and right, it doesn't feel natural. Act it out, move your eyes left and right and you'll feel that it is a bit awkward. Just dart to one side, pause a bit, little dart more to the left or down, then pause, then to the right. Give it a beat between each direction.
shot3:
- the blocking reads clearly as well. Timing wise I would have one of the two turn towards us a bit sooner. Right now they are doing it at the same time and you could offset that. The passenger brings up his book a bit slowly and then his head slowly drifts down.
- the driver's expression stays the same and I'm sure he's going through different emotions in that shot, so try to add more variety to his acting.
I would continue with the rest of the sequence so that you have all the shots in place and then focus on the detail work.
Cheers
JD
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